Foundation Wave consists of two works, a sculpture and a mural along with a sound component.. Both pieces consist of numerous profiles of various people of diverse race, age and gender where one stranger’s profile seemlessly transforms into anothers. The result as you walk around the sculpture is a wavy sphere morphing individual profiles into the next blurring any beginning or end. For the mural, the facial profiles ripple out like a cardiogram or a soundwave. Visitors can record their heart-beats using the recording device installed in the venue. The sound of multiple heartbeats is played simultaneously.
FOUNDATION WAVE 2023
H240, W239, D249 cm
Painted Fiberglass
Commissioned by National Gallery Singapore, Singapore
FOUNDATION WAVE 2023
H240, W239, D249 cm
Painted Fiberglass
Commissioned by National Gallery Singapore, Singapore
FOUNDATION WAVE 2023
H249, W1327 cm
Color pencil
Commissioned by National Gallery Singapore, Singapore
FOUNDATION WAVE (Detail) 2023
H249, W1327 cm
Color pencil
Commissioned by National Gallery Singapore, Singapore
BUILDING BLOCKS 2014
H200, W300, D10 cm
Carved wood, single light source, shadow
Commissioned by Otsuma Women's University, Tokyo, Japan
BUILDING BLOCKS 2014
H200, W300, D10 cm
Carved wood, single light source, shadow
Commissioned by Otsuma Women's University, Tokyo, Japan
CONSTELLATION - SACHI 2013
H46, W33, D3 cm
Wood panel, brads, single sewing thread
Private commission
ORIGAMI 2011
H366, W366, D1 cm
Creased Japanese paper, single light source, shadow
Commissioned by American Express, New York City, USA
ORIGAMI (detail) 2011
H366, W366, D1 cm
Creased Japanese paper, single light source, shadow
Commissioned by American Express, New York City, USA
GLOW 2009
H90, W90, D15 cm (Mother) H45, W45, D11 cm (Child)
Sculpted wood, single light source, shadow
Commissioned by Perfe Takiyama Maternity Clinic, Tokyo, Japan
Fragments consists of resin tiles which cast the shadow profiles of 40 New Mexican residents of different backgrounds and ethnicities, people I met while traveling throughout New Mexico in 2008. It is both testament and celebration of the people whose names may never make it into the history books or history museums, but who definitely make up the rich fabric of life in a pueblo, city, county, and state.
FRAGMENTS 2009
H270, W400, D2 cm
Cast resin, single light source, shadow
Commissioned by New Mexico History Museum, Santa Fe, USA
FRAGMENTS (detail) 2009
H270, W400, D2 cm
Cast resin, single light source, shadow
Commissioned by New Mexico History Museum, Santa Fe, USA
For this commission entitled Pathway, I was asked to create a work that would capture the spirit of the late progressive City Councilman Michael Hildt. This piece celebrates those who live a robust life, who open up doors for themselves and for others with vision and fortitude, as Michael Hildt did in his life of public service.
PATHWAY 2008
H183, W150, D10 cm
Aluminum with cut-outs, single light source, shadow
Commissioned by Seattle City Light, Washington, USA
PATHWAY 2008
H183, W150, D10 cm
Aluminum with cut-outs, single light source, shadow
Commissioned by Seattle City Light, Washington, USA
CLOUDS 2005
H200, W120, D10 cm
Cut aluminum plate, single light source, shadow
Commissioned by Stellar Place Sapporo JR Tower, Hokkaido, Japan.
QUESTION MARK 2003
H200, W150, D20 cm
Stainless steel, single light source, shadow
Commissioned by Namba Parks Tower, Osaka, Japan
CITY VIEW 2003
H250, W500, D5 cm
Aluminum numbers, single light source, shadow
Commissioned by Namba Parks Tower, Osaka, Japan.
CITY VIEW 2003
H250, W500, D5 cm
Aluminum numbers, single light source, shadow
Commissioned by Namba Parks Tower, Osaka, Japan.
GLIDER 2002
H160, W160, D20 cm
Cut aluminum plate, single light source, shadow
Commissioned by Takikawa Hall, Hokkaido, Japan
Beckett In His Own Words was commissioned in 2000 by a theater based in Glasgow, Scotland to celebrate the works of acclaimed playwright Samuel Beckett. To create Beckett’s portrait, I took pages from Beckett’s handwritten notebooks and had embossed plates fabricated. I then used the technique of “frottage” - placing a fine paper over the plates and rubbing a graphite stick to have his words create his likeness.
BECKETT IN HIS OWN WORDS 2000
H45, W35 cm
Japanese paper, graphite
Commissioned by Cryptic, Glasgow, UK